Best of the Week
Most Popular
1.The Trump Reset, US Empire's Coming Economic, Cyber and Military War With China (2/2) - Nadeem_Walayat
2.Now Is the Time to Buy Gold - 5th Jan 17 - John Grandits
3.CIA Planning Rogue President Donald Trump Assassination? Elites "Manchurian Candidate" Plan B - Nadeem_Walayat
4.The Trump Reset - Regime Change, Russia the Over Hyped Fake News SuperPower (Part1) - Nadeem_Walayat
5.Most Popular Financial Markets Analysis of 2016 - Stock Market Crash Postponed Again - Nadeem_Walayat
6.No UK House Prices Brexit Crash 2016 Despite London Weakness, Forecast 2017 - Nadeem_Walayat
7.President Trump Understands the NSA, CIA... LIE, America's Intelligence Agencies Crime Syndicate! -Nadeem_Walayat
8.President Donald Trump's 2017 New Year Message, BBC Fake News, Was 2016 a Dream? - Nadeem_Walayat
9.Major Stocks Bear Market Still Looms - Zeal_LLC
10.Biased 2017 Forecasts - Debt, Housing and Stock Market (1/2) - James_Quinn
Last 7 days
HBO HOMELAND Bet on HIllary Clinton Winning US Election and LOST - 23rd Jan 17
Stock Market New Highs For 2017? Yes, But When Do I Enter? - 22nd Jan 17
Active vs Passive Investing: And the Winner Is ... - 22nd Jan 17
The Epidemic of Bad Ideas - 22nd Jan 17
Gold Futures Prices Looking Bullish - 22nd Jan 17
Time for Crude Oil Price Drop below $50? - 21st Jan 17
AI and Robotics - We Are All Low-Skilled Workers Now - 21st Jan 17
The Trump RESET Starts on US Presidential Inauguration Day 2017 - What to Expect - 20th Jan 17
Will the CIA Assassinate Rogue President Donald Trump Like JFK? - 19th Jan 17
Bonds, Dollar, Stocks, Gold, Silver Major Markets at Turning Points - 19th Jan 17
Populism; the Danger? What About Debt? - 19th Jan 17
Gold Price 50-DMA Breakout - 19th Jan 17
Turkey, 'Axis of Gold' and End of US Dollar Hegemony - 19th Jan 17
The Most Important Market Chart on the Planet - 19th Jan 17
Trump Deficits Will Be Huge - 19th Jan 17
Stock Market Trading Patience Pays Off with CHK Using Momentum Reversals - 19th Jan 17
Gold - How to "Buy Low and Sell High" Like a Pro - 19th Jan 17
State of the Global Stock, Financial and Commodity Markets Report 2017 - 19th Jan 17
The Hunt for Russia's Next Enemy - 18th Jan 17
Returning Gold Bulls - 18th Jan 17
Biotech Breakthrough Could Create A $11.4 Trillion Opportunity - 18th Jan 17
Bitcoin and Gold - Outlook, Volatility and Safe Haven Diversification - 17th Jan 17
Stock Market Uptrend on Borrowed Time - 17th Jan 17
The One Stock to Retire On - 17th Jan 17
Trump anti-Communist Counter Revolution - 17th Jan 17
US Stock Market Update as the Trump Inauguration Approaches - 17th Jan 17
The American Crisis - Common Sense 2017 - 17th Jan 17
Obama Leaves, Hope Arrives, Will Stupid Stay? - 17th Jan 17
Damage Inflicted by Precious Metals Manipulation Is in the “Multi Billions” - Keith Neumeyer - 17th Jan 17
Gold Price Forecast 2017 Update - Video - 17th Jan 17
The Story of the U.S. Regime Change Plan in the Philippines - 16th Jan 17
Gold Price 2017 Trending Towards $1375 as Forecast - 16th Jan 17
'Deep State' CIA Director States We are Not NAZI's, Warns Trump Does Not Understand Russian Threat - 15th Jan 17
UK House Prices Forecast 2017 - Crash or Bull Market? - Video - 15th Jan 17
SPX Stocks Bull Market Update - 14th Jan 17
President Trump vs the Deep State that Hides in Plain Sight - 14th Jan 17
The Impact of Sir Alex Ferguson's Retirement on Man United's Share Price - 14th Jan 17

Free Instant Analysis

Free Instant Technical Analysis


Market Oracle FREE Newsletter

State of Global Markets 2017 - Report

CIA Wins 2013 Academy Awards, Dominates Hollywood Movies and TV

Politics / Propaganda Jan 18, 2013 - 10:46 AM GMT

By: Washingtons_Blog

Politics

The Winners of the Academy Award and Golden Globe Are … Government Propagandists

Rob Kall points out that the military-industrial complex is the winner of the Golden Globe award:

Homeland won best TV series, best TV actor and actress. It IS a highly entertaining show which actually portrays some of the flaws of the MIIC system


Argo won best movie and best director. It glorifies the CIA and Ben Affleck spoke with the highest praise for the CIA.

And best actress went to Jessica Chastain of Zero Dark Thirty, a movie that has been vilified for propagandizing the use of torture.

***

The Military Industrial Intelligence Complex is playing a more and more pervasive role in our lives.  In the next few years we’ll be seeing movies that focus on the use of drone technology in police and spy work in the USA. We’ve already been seeing movies that show how spies can violate every aspect of our privacy– of the most intimate parts of our lives. By making movies and TV series that celebrate these cancerous extensions of the police state Hollywood and the big studios are normalizing the ideas they present us with– lying to the public, routinely creating fraudulent stories as covers for what’s really going on.

***

I was hoping that Zero Dark Thirty would come up without any awards. I was hoping that at least such blatant propaganda promoting  the lie that torture works would be repudiated by the Golden Globes. That didn’t happen.

***

The truth is we do live in a time when the police have been massively militarized. We don’t need movies or TV shows that celebrate that militarization. We don’t need entertainment that normalizes the obscene violations of our privacy that the intelligence state is inflicting upon us. We need stories that celebrate people who stand up to this seemingly irrepressible tide that is washing away our freedoms, sucking up all our resources and erasing the last bastions of privacy.

David Walsh notes that the real winner of the 2013 Academy Awards is the CIA:

Zero Dark Thirty, Kathryn Bigelow’s quasi-fascistic glorification of the role played by the CIA in the so-called “war on terror” … was tapped for five awards.

Of course,there is plenty of other war-o-tainment. being peddled by Hollywood.

The military has long had a direct influence on Hollywood. For example, a book published by the University of Texas points out:

The Central Intelligence Agency has been actively engaged in shaping the content of film and television, especially since it established an entertainment industry liaison program in the mid-1990s.

The book laments:

The significant influence that the CIA now wields in Hollywood

Gizmodo reports:

The CIA has a pile of script ideas lying around.

***

The Department of Defense and just about every branch of the military has an entertainment industry liaison similar to the CIA’s.

If you want to make a war film and need a fleet of F-22s, a crowd of Marines, or a Navy aircraft carrier, just call up the Department of Defense’s entertainment media office and they’ll tell you if the Army can spare that M1A1 Abrams tank you’ve always wanted for a day or two of filming.

“The scripts we get are only the writer’s idea of how the Department of Defense operates,” Vince Ogilvie, deputy director of the Defense Department’s entertainment liaison office, told Danger Room. “We make sure the Department and facilities and people are portrayed in the most accurate and positive light possible.”

Hollywood has been working with government organizations to make more credible films for years (for instance, Jerry Bruckheimer and Paramount Pictures worked closely with the Pentagon when filming the 1986 blockbuster “Top Gun”). But the phenomenon is under newfound scrutiny. There was a bit of a kerfuffle recently when some in the press and in Congress speculated about whether the government will give Sony Pictures any pointers while they make a film about the killing of Osama bin Laden.

In a letter to the Defense Department and CIA last month, Rep. Peter King expressed outrage at the Pentagon’s relationship with the film’s director, Kathyrn Bigelow. King claimed that she had already been made privy to sensitive information that could put American lives at risk.

***

Standard procedure is to review the script, make notes on what the Defense Department would like changed, and kick it back to the producer. If the changes are made, the military will provide whatever help they can – declassified information, equipment, personnel, etc. – for a price.

***

Why has the Defense Department recently partnered with 20th Century Fox to make an X-Men/U.S. Army ad or with explosion-enthusiast Michael Bay to make all three Transformers movies? In The Washington Post, David Sirota suggests entertainment like this is “government-subsidized propaganda.”

The Guardian noted in 2001 that this has been happening for a long time:

For the first time in its history, the [CIA] has appointed an official PR liaison with Hollywood: veteran CIA operative Chase Brandon, whose 25-year career was spent defending democracy, it says here, in benighted South American theatres of the cold war.

These days, his brief is to preach a revised CIA gospel to Tinseltown, to overcome the lamentable image the agency acquired during the 1977 Church Congressional Commission on Assassinations, which it has struggled to shake off.

***

Other government agencies like the FBI, the Secret Service and the armed services discovered long ago the benefits of lending their cooperation to movies like Silence of the Lambs, In the Line of Fire and Top Gun.

Coming late to the game, the beleaguered CIA now has to overcome 25 years of suspicion – not to mention a grim history of covert assassinations, secret wars, illegal coups d’état, and the damaging revelations of former agents such as Philip Agee or John Stockwell – if it wants to clean up its image. This may be an uphill struggle, as the agency faces criticism for its failure to predict the events of September 11 – but suddenly, perhaps fortuitously, a slew of movies and TV shows about the CIA will be launched this autumn.

Brandon and the agency have approved eye-opening stuff. The Agency is a new CBS drama, full of best-and- brightest types rolling up their sleeves and attacking problems of national security, West Wing-style. Its first episode depicted a CIA attempt to foil an assassination attempt on Fidel Castro. This might surprise anyone remembering the agency’s attempts in the early 1960s to knock off Fidel with exploding cigars, sub-contracted mobsters and chemicals designed to make his beard fall out – to say nothing of the abortive Bay of Pigs invasion.

***

The company also lent their support to Alias, an action series featuring Jennifer Garner as a grad student-superspy a few degrees away from La Femme Nikita. The Chris Rock-Anthony Hopkins comedy Bad Company traffics in similar comic-strip depictions of the CIA that Brandon was happy to help.

***

Receipt of the CIA’s corporate imprimatur is conditional upon only one thing: a totally sympathetic portrayal of company business.

***

It used to be the case that if a movie explicitly condemned CIA actions – such as Under Fire – the studios could be counted on to bury it.

In fact, the CIA first started working with Hollywood in the 1950s:

The CIA has been working with Hollywood since the 1950s.

***

The CIA first started working with Hollywood to influence foreign audiences. “Their purpose was essentially to shape foreign policy or to win hearts and minds overseas during the cold war,” she says.

The CIA developed a think tank to fight communist ideology, which negotiated the rights to George Orwell’s “Animal Farm” — getting a talking pig on the screen 20 years before “Charlotte’s Web.” Jenkins says the CIA also wanted to promote a certain view of American life, for instance pressing for line changes in 1950s scripts to make black characters more dignified, and white characters more tolerant. This “politically correct” image was intended to promote an attractive image of America to a world picking sides in the Cold War.

Of course, pro-torture productions such as Zero Dark Thirty and the CIA-sponsored tv show 24 are 100% false:  the top conservative and liberal interrogation experts say that torture hurts rather than helps national security.

And the CIA’s drone problem creates many more terrorists than it kills.

And the CIA’s other efforts have made us more vulnerable … not safer.

But this is Tinseltown we’re talking about … so no one expects the truth.

Of course, the CIA and other government agencies have long directed the mainstream media as well.  No wonder the mainstream media is always pro-war, and happily trumpets disinformation about supposed enemies to drum up support for new wars. 

Washington's Blog

Global Research Articles by Washington's Blog

© Copyright Washingtons Blog, Global Research, 2013

Disclaimer: The views expressed in this article are the sole responsibility of the author and do not necessarily reflect those of the Centre for Research on Globalization. The contents of this article are of sole responsibility of the author(s). The Centre for Research on Globalization will not be responsible or liable for any inaccurate or incorrect statements contained in this article.


© 2005-2016 http://www.MarketOracle.co.uk - The Market Oracle is a FREE Daily Financial Markets Analysis & Forecasting online publication.


Post Comment

Only logged in users are allowed to post comments. Register/ Log in

Catching a Falling Financial Knife